Deck the Halls is a popular Christmas carol even among young pianists. The familiar tune is a great tool for teaching dotted quarter note rhythms. Written in C Major position (with some RH movement), this arrangement is perfect for a beginner playing at their first Christmas recital.
The Cradle Song melody by William Kirkpatrick celebrates the arrival of the baby Jesus in the stable at Bethlehem. This arrangement is perfect for a beginner student’s first Christmas performance, with a single-note melody, an 8va repeat, and a few harmonies at the finish.
In this traditional arrangement, the heavenly hosts can be heard in joyous salute heralding the first Christmas. Perfect for a first-year student as a solo recital piece or simply to celebrate the season.
Most new pianists want to play this Beethoven piece but aren’t prepared for the difficulty of the original composition. This early intermediate level arrangement is of the entire piece – not just the main theme! – which makes it an excellent choice for a recital performance. Carefully written to match the integrity of Beethoven’s work, this arrangement allows pianists to perform Beethoven now while developing essential skills for the future mastery of Beethoven’s masterpieces.
BONUS: Because the largest harmonic interval is a Major 6th, pianists with small hands can easily play this without sacrificing musicality or altering chords.
French for “moonlight”, Clair de Lune is an example of true musical beauty. Unlike many other simplified arrangements, this version is intentionally written in the original key of D-flat Major to keep its beautiful shimmering color. It includes the initial well-known main theme (in its simple beauty, with minimal changes) as well as part of the secondary moving theme, making it an excellent choice for a recital performance piece for the early intermediate level pianist.
This crackerjack Tin Pan Alley song is all about the great American game of baseball. This beginner arrangement will get you into the spirit for the next baseball season so that you’re ready to root, root, root for the home team!
One of the most well-known Christmas carols in the modern world, Jingle Bells is played at almost every Christmas piano recital anywhere. With the verse in Middle C Position and the chorus in C Major Position, this classic take on Jingle Bells is ideal for beginners learning to navigate their way around the keys.
Soft, broken chords and a sad refrain paint a picture of lonesome beauty in this 3-page piano solo. The melody passes from treble to bass with continual flowing accompaniment and develops a progressively deeper tone over the course of the piece before ultimately dying away.
This arrangement of Marche Slave introduces Serbo-Russian and minor sounds to new pianists. The bold, patriotic main theme is featured prominently with compelling dynamics and a climactic finish.
Worried that others wouldn’t take him seriously, Saint-Saëns requested this entire humorous suite be published only after his death. This arrangement of the suite’s finale gives early beginner pianists a taste of how dramatic, crazy, and fun classical music really can be.
There’s no good morning greeting quite like “Morning Mood” from Grieg’s Peer Gynt Suite I. This arrangement includes an uncluttered melody with soft thirds and chords in the accompaniment to ease listeners into wakefulness, just like the morning rays.
Very few people haven’t heard this classical Beethoven theme (incredibly, composed after he had lost his hearing). This arrangement combines the marvelously simple stepwise melody with dynamics, a black key crossover, and triumphant harmonic thirds to allow beginner pianists to experience the grandeur of this masterful composer’s music.
Pianists of any age can fall in love with this beautiful American folk song. This arrangement for beginner piano flows just like the wide Missouri and is written with ties to help beginner pianists identify their mid-beat entrances. Because the right hand melody travels, the left hand accompaniment remains in a familiar 5-finger hand position for stability.
With flickering eyes like witch hats and a fearsome pointy-toothed grin, Jack-O-Lantern chants his scary song from the front porch steps as All Hallow’s Eve begins. This composition combines bass Left Hand minor melody, black keys, spooky seconds, minor triads, and staccatos to capture the delightfully frightful spirit of the holiday.
This traditional Japanese folk song highlights the fragrant pink cherry blossoms that cover the landscape of Japan in spring. This beginner arrangement emphasizes the unique melody with simple accompaniment. Hand movement, dynamics, and other music symbols give it an element of complexity to make it look and sound impressive for recitals and performances.
As Peer Gynt finds his way into the troll Mountain King’s hall, the energy and excitement build from whispered footsteps to tremendous cacophony. This intermediate level arrangement of a world-famous piece pulls out all the stops as it gradually builds in volume and intensity to a wild and chaotic finish.
Whether they’re raiding your candy bag or tying your shoelaces together, these mischievous little hobgoblins put the “trick” in “trick-or-treat”! You might feel a little hobgoblin coming out in you when you play this delightfully spooky composition.
A studio favorite, this original composition hails from the untamed hills of Scotland where Medieval Scots traveled and fought for their clans. The minor melody bred from Scottish beauty and strength quickly draws the listener in with impressions of adventuring and battling across the lonely landscapes through centuries past.
A classic arrangement of a German Christmas carol, this rendition of a quiet Christmas night is ideal for sharing the Christmas spirit and story in Christmas recitals, performances, and church settings. This arrangement consists of gently rocking accompaniment, a softly singing melody, and delicate, harmonious chords. A key change warms up the sound for the last radiant verse, building to resplendent, full chords before peacefully echoing the final lines.
The all-famous Hallelujah Chorus from Handel’s Messiah oratorio – countless people have told me they wish they could play this masterpiece! That’s why I’ve arranged this Hallelujah Chorus piano solo – so you can play it at Christmastime for your family, during Easter season, or anytime you feel like shouting, “Hallelujah!”
Every Halloween, all the monsters, skeletons, hags, and more come together for the Spooky Shuffle. This addictively swinging original (a Halloween favorite!) will have your fingers dancing and feet tapping right along with them.
Even beginners can entertain! This melody-only arrangement of Joplin’s most well-known rag keeps the performer feeling fun and loose and is just the thing for a first recital piece.
This traditional English carol tells the story of that first Christmas night long ago. This arrangement performs well as a lovely piano solo for a late beginner pianist and helps with pedaling, different rhythms in the left/right hands, and right hand scale fingering.
This arrangement comes in two different versions: one in D Major and one transposed to C Major. The Single-User License is available in either key. The Studio License comes with both versions.
The hypnotic powers of this archetypal vampire will capture the minds of your listeners as you play his portentous waltz. This composition featuring bass Left Hand melody is for any Halloween-loving pianist who wants something fun and easy to learn.