Banana Peel Boogie
$3.99 – $8.99Who’s the slickest banana peel on the dance floor?! This foot-tappin’, swingin’, original showstopper is ideal for recitals and fun-loving crowds.
Who’s the slickest banana peel on the dance floor?! This foot-tappin’, swingin’, original showstopper is ideal for recitals and fun-loving crowds.
A spinoff of the classic 12-bar blues, “Tombstone Boos” helps newer pianists swing their way into the Halloween season. A spine-tingling jazzy chord closes out this late beginner number filled with syncopation, swing rhythm, hand movement, and more.
* The Studio License comes with two versions: one with the C minor key signature and one with no key signature (all accidentals). The Single-User License comes with one version that has no key signature (all accidentals). Both versions sound the same when played.
Few religious pieces touch the Christian heart as deeply as Amazing Grace. This simple, hymn-like arrangement illustrates the peace of feeling God’s grace amid the dangers, toils, and snares of life.
The march-like melody reigns supreme in this beginner arrangement that’s great for a first recital. Even young beginners who can just barely reach an F Major chord triad can perform this rendition of Beethoven’s bombastic Turkish March.
This flowing arrangement embraces the medieval sound of this Christmas carol while adding modern elements. The accompaniment feels like traveling on camelback across the desert sands, while the melody builds from a single note strain into grand, ascending chords that reflect the majesty of the three kings bearing gifts to the Christ child.
“Hush-a-bye, don’t you cry…” This beautiful American lullaby softly lulls listeners to a sleep filled with dreams of pretty little horses. This short arrangement performs well for first recitals and is a great way to introduce first-year piano students to melodies in a minor key.
A classic take on a popular short carol, this arrangement starts with single-note melody and adds accompaniment little by little, building to a fuller sound. It all comes together with a final dramatic molto ritardando, fermata, and octave jumps to finish with a flair.
“Double, double, toil and trouble…” Witches of all ages will love brewing up a magic potion that will surely bring all listeners under their power! This spellbinding composition is written with a mysterious melody floating high above the treble clef while the left hand waltzes below in minor.